EVGENYA MIKHEEVA

An artist and architect with a professional background
in contemporary art

I work with space as an important communicative tool. I design environments that tell stories, create atmosphere and context, where every element becomes part of the narrative, immersing the viewer
in reflection and emotional experience.

IN CORPORE SANO

*in a healthy body

A booth as a gallery space. Contemporary medical technologies and Renaissance paintings at the MST stand.
We show how medicine shapes life today and, through art, reveal the core values of the business — highlighting modern technology, the human being and care for health as the ultimate goal.
And yes, we used some of the most iconic works of classical art — why?

I WILL NEVER SEE THIS.
I WILL NEVER FORGET THIS.

This project speaks with the voice of the author and reveals the imagined space of six participants. From different points in the hall, the exhibition is perceived as a shifting, multilayered, and ephemeral image.
The display focuses on the audio-visual experience, maintaining a sense of air, light, and a white backdrop. Discreet mountings ensure the permeability of the space and the levitation of the canvases.
The exhibition is inclusive and barrier-free.

VADIM MIKHAILOV.
IT'S SOMETHING ELSE.

A hauntingly attractive space of a storage room, half-light and labyrinth.
A combination of rough OSB texture and the noble color of purple. Dark corridors, tangled paths, sharp beams of lighting immerse you into the otherworldly realm of the artist's chthonic sarcasm.
Welcome...

RAW AND COOKED:
Tradition and its Contemporary Forms

The exhibition provokes a casual, almost accidental dialogue between the "contemporary" and the traditional within the walls of the ethnographic museum.
The easel-like supports, created as simple and functional structures, serve to hold the works of contemporary artists, much like a skeleton.

VLADIMIR ARKHIPOV. OBJECTS OF PRIDE AND SHAME.

The artist's first major exhibition about the phenomenon of handmade objects. The collection was assembled over 20 years.
On the first floor, the focus is on the object itself, and on the second floor, on its creator. The exhibition is accompanied by voices. The concept of the first floor is based on "unpacking" – the items are displayed in
a "showcase" manner on foam substrates.
The second floor focuses on the people and direct speech of the creators.

HELENA SLOBTSEVA.
MATERIAL CULTURE.

Solo exhibition of the artist.
Area: 730 sq.m.
Perm Museum of Contemporary Art (PERMM), Perm
Curator: Alisa Savitskaya
2021

foto by GSkvorcov

Canvases and Gaps. The space is organized through the module of white canvas, which serves both as the base and the framing for the artist's works.
The contrast between the dark museum and the illuminated white canvas highlights the graphic minimalism and achromatic aesthetic of the artist. Hidden, non-obvious exhibition spaces are created to focus attention on each individual work.

NIKOLAY KASATKIN.
DOUBLE PERSPECTIVE.

The exhibition acts as an "optical device" for viewing the artist's works. This device helps establish conceptual connections between the pieces. During the process of viewing and moving through the rooms, a "slide effect" and "illusion of movement triggered by the viewers" emerge, as Sergei Popov (Pop/off/art gallery) aptly noted.